{"version":"1.0","provider_name":"ArtsNB","provider_url":"https:\/\/artsnb.ca\/web","author_name":"Audr\u00e9e Hamelin-St-Amour","author_url":"https:\/\/artsnb.ca\/web\/author\/audree\/","title":"Acadian Music Under the Lens of an Ethnomusicologist - ArtsNB","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"AcUwGrABYK\"><a href=\"https:\/\/artsnb.ca\/web\/2022\/12\/acadian-music-under-the-lens-of-an-ethnomusicologist\/\"><strong>Acadian Music Under the Lens of an Ethnomusicologist<\/strong><\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/artsnb.ca\/web\/2022\/12\/acadian-music-under-the-lens-of-an-ethnomusicologist\/embed\/#?secret=AcUwGrABYK\" width=\"600\" height=\"338\" title=\"&#8220;&lt;strong&gt;Acadian Music Under the Lens of an Ethnomusicologist&lt;\/strong&gt;&#8221; &#8212; ArtsNB\" data-secret=\"AcUwGrABYK\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/artsnb.ca\/web\/wp-includes\/js\/wp-embed.min.js\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/artsnb.ca\/web\/wp-content\/uploads\/2022\/12\/Dariush-zarbafian.jpg","thumbnail_width":640,"thumbnail_height":427,"description":"Written by Dariush Zarbafian FEATURED ARTIST SERIES \u2013 DR. DARIUSH ZARBAFIAN Dr. Dariush Zarbafian is an ethnomusicologist, composer, instrumentalist, researcher, and writer based in New Brunswick. In 2021 he received an artsnb Documentation Program grant to produce a theoretical work entitled The Origin, Evolution and Originality of Acadian Music. This work analyzes the structures of"}