{"id":16219,"date":"2024-01-17T20:08:41","date_gmt":"2024-01-17T20:08:41","guid":{"rendered":"https:\/\/artsnb.ca\/web\/?p=16219"},"modified":"2024-01-18T13:14:48","modified_gmt":"2024-01-18T13:14:48","slug":"croire-en-une-idee-et-faire-preuve-de-courage","status":"publish","type":"post","link":"https:\/\/artsnb.ca\/web\/2024\/01\/croire-en-une-idee-et-faire-preuve-de-courage\/?lang=fr","title":{"rendered":"Croire en une id\u00e9e et faire preuve de courage"},"content":{"rendered":"\n

R\u00e9dig\u00e9 par Lee McLean<\/p>\n\n\n\n

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Je me souviens de ma premi\u00e8re demande d\u00e9pos\u00e9e timidement en 2020 pour obtenir une bourse de Cr\u00e9ation aupr\u00e8s d’artsnb<\/strong>. J’ai suivi attentivement les lignes directrices, en m’interrogeant sur la description du projet et sur les images que j’avais s\u00e9lectionn\u00e9es. Alors que je participais au programme Advanced Studio Practice<\/em> [pratique avanc\u00e9e en atelier] du New Brunswick College Craft & Design, j’avais un concept de s\u00e9rie sur le vieillissement que je voulais d\u00e9velopper. J’ai \u00e9t\u00e9 inspir\u00e9e par le po\u00e8me de Dylan Thomas \u00abDo not go gentle into that good night\u00bb. Il m’a fallu plus d’une tentative avant d\u2019obtenir une subvention: j’ai \u00e9ventuellement pr\u00e9sent\u00e9 une nouvelle demande qui int\u00e9grait les commentaires re\u00e7us, pour un projet plus \u00e9labor\u00e9 afin de cr\u00e9er deux \u0153uvres.<\/p>\n\n\n\n

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D\u00e9tail de l’\u00e9criture cousue \u00e0 la main dans l’\u0153uvre Isolation<\/em>. Photo : Gracieuset\u00e9 de l’artiste.<\/p>\n\n\n\n

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<\/p>Le concept de ma s\u00e9rie \u2013 et, en fait, de ma pratique artistique en ce moment \u2013 a germ\u00e9 dans une salle d’attente d’h\u00f4pital. En regardant les minutes s’\u00e9couler, je me suis rendu compte que je consacrais une grande partie de ma vie \u00e0 la gestion de ma sant\u00e9, \u00e0 tous les moments perdus qui y sont associ\u00e9s et \u00e0 la fa\u00e7on dont le contr\u00f4le s’effrite avec l’\u00e2ge. Je me suis sentie interpell\u00e9e par la n\u00e9cessit\u00e9 de partager ces \u00e9motions en utilisant tissus et fils, et mes comp\u00e9tences en art textile.<\/cite><\/blockquote><\/figure>\n\n\n\n

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Disposable<\/em> [traduction : Jetable<\/em>] en cours de r\u00e9alisation. Photo : Gracieuset\u00e9 de l’artiste.<\/p>\n\n\n\n

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Mon art textile se compose g\u00e9n\u00e9ralement de trois couches : un tissu sup\u00e9rieur piqu\u00e9 qui est le point central, une couche interm\u00e9diaire et un support en tissu. Ces couches sont maintenues ensemble par du fil, cousu la plupart du temps \u00e0 la machine. Ces points de courtepointe font souvent partie de mon dessin, le texte et les images sont dessin\u00e9s avec l’aiguille de ma machine \u00e0 coudre. La cr\u00e9ation de chaque \u0153uvre est un processus lent et r\u00e9fl\u00e9chi. En r\u00e9alisant des \u0153uvres matelass\u00e9es, j’utilise une forme d\u2019art que les gens associent \u00e0 la chaleur, \u00e0 l’attention et \u00e0 la tradition. Cette dimension significative contraste souvent fortement avec le sujet de mon travail, ce qui me pla\u00eet.<\/p>\n\n\n\n

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Isolation <\/em>[traduction : Isolement<\/em>]. Tissu et fil. 16 pouces x 31 pouces. Photo : Gracieuset\u00e9 de l’artiste.<\/p>\n\n\n\n

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Avant de d\u00e9poser ma demande de subvention, j’avais d\u00e9j\u00e0 cr\u00e9\u00e9 Still Here <\/em>[traduction : Encore ici<\/em>], qui exprimait le sentiment d’\u00eatre moins visible \u00e0 mesure que l’on vieillit. La subvention que j’ai re\u00e7ue a permis de financer la r\u00e9alisation de Disposable <\/em>[traduction : Jetable<\/em>], qui exprime la col\u00e8re face au m\u00e9pris des g\u00e9n\u00e9rations plus \u00e2g\u00e9es, et Isolation <\/em>[traduction : Isolement<\/em>], qui traite de la r\u00e9duction des cercles sociaux et du soutien \u2013 des questions clairement pos\u00e9es lors de la pand\u00e9mie.<\/p>\n\n\n\n

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Disposable <\/em>[traduction : Jetable<\/em>]. Tissus et fil. 31\u201d x 24\u201d, \u0153uvre expos\u00e9e dans six galeries \u00e0 travers le Canada dans l\u2019exposition Crossroads<\/em> du Grand National Fibre Art Exhibition de 2021. Photo : Gracieuset\u00e9 de l’artiste.<\/p>\n\n\n\n

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Il est difficile d’exag\u00e9rer l’impact positif que cette bourse de Cr\u00e9ation d\u2019artsnb <\/strong>a eu sur ma pratique. Bien que j\u2019\u00e9tais en mesure de juger si j’avais produit le meilleur travail possible, je ne pouvais pas dire s’il s’agissait d’un bon travail dans une perspective plus large. J’avais \u00e0 peine commenc\u00e9 \u00e0 me qualifier d’artiste textile \u00e0 voix haute, de peur de me faire regarder de travers. Qu’un jury compos\u00e9 d’artistes d\u00e9cide que mon travail m\u00e9ritait d’\u00eatre financ\u00e9 a \u00e9t\u00e9 un immense gage de confiance. Cela m’a permis d’\u00eatre plus courageuse au moment de montrer mon travail et de postuler \u00e0 des occasions. Comme l\u2019\u0153uvre Disposable<\/em> [traduction : Jetable] correspondait au th\u00e8me de l’appel d’\u0153uvres, je l\u2019ai soumise au Grand National Fibre Art Exhibition de 2021. Elle a \u00e9t\u00e9 s\u00e9lectionn\u00e9e par un jury pour ma premi\u00e8re exposition \u00e0 l’\u00e9chelle du Canada et vient de me revenir apr\u00e8s avoir \u00e9t\u00e9 expos\u00e9e dans six galeries.<\/p>\n\n\n\n

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Vue de l’exposition solo Do not go gentle <\/em>[traduction : N\u2019y va pas doucement<\/em>] \u00e0 la Yellow Box Gallery de l’universit\u00e9 St. Thomas, du 5 octobre au 22 d\u00e9cembre 2023. Photo : Gracieuset\u00e9 de l’artiste.<\/p>\n\n\n\n

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En 2023, j’ai eu l’occasion de monter mon exposition Do not go gentle <\/em>[traduction : N\u2019y va pas doucement<\/em>]sur le vieillissement. Mes \u0153uvres cr\u00e9es dans le cadre de la subvention ont constitu\u00e9 une partie essentielle de ma premi\u00e8re exposition solo \u00e0 la Yellow Box Gallery de l’universit\u00e9 St. Thomas. \u00c9crire sur le concept, d\u00e9cider de ce qui fera partie de l’exposition, cr\u00e9er de nouvelles \u0153uvres, emprunter des \u0153uvres ant\u00e9rieures, obtenir des photographies de qualit\u00e9, planifier un catalogue, engager un designer, accrocher les \u0153uvres et inaugurer l’exposition – toutes ces \u00e9tapes professionnelles ont \u00e9t\u00e9 r\u00e9alis\u00e9es en partie gr\u00e2ce \u00e0 l’encouragement de cette premi\u00e8re subvention \u00e0 la cr\u00e9ation d\u2019artsnb.<\/strong> Je suis reconnaissante de ce soutien et du fait que j’ai eu le courage de pr\u00e9senter une premi\u00e8re demande et, croyant suffisamment au concept, de pr\u00e9senter une nouvelle demande.<\/p>\n\n\n\n

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Lee McLean cr\u00e9e de l’art textile pour communiquer une \u00e9motion. Ses motifs cousus au fil sur des tissus imprim\u00e9s, teints \u00e0 la main et peints, ont \u00e9t\u00e9 s\u00e9lectionn\u00e9s pour des expositions internationales. En 2023, elle a obtenu la premi\u00e8re place dans la cat\u00e9gorie Art abstrait et improvis\u00e9<\/em> lors de l’exposition nationale avec jury de la Canadian Quilting Association\/Association canadienne de la courtepointe.<\/p>\n\n\n\n

\u00c9tablie \u00e0 New Maryland, au Nouveau-Brunswick, McLean est titulaire de dipl\u00f4mes en pratique avanc\u00e9e en studio\/ arts textiles et en fondation en arts visuels du New Brunswick College of Craft & Design. Son exp\u00e9rience professionnelle ant\u00e9rieure en d\u00e9veloppement de logiciels a probablement influenc\u00e9 son travail \u2013 heureusement ou malheureusement, c’est encore \u00e0 d\u00e9battre.<\/p>\n\n\n\n

Sa pratique a \u00e9t\u00e9 soutenue par des subventions du Conseil des arts du Nouveau-Brunswick et du Conseil des arts du Canada.<\/p>\n\n\n\n

Photo: Roger Smith.<\/p>\n<\/div><\/div>\n\n\n\n

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Restez \u00e0 l’aff\u00fbt de la pratique de Lee:<\/strong><\/p>\n\n\n\n

Instagram: @mclean.lee<\/a><\/p>\n\n\n\n

Site web: http:\/\/www.leemclean.ca\/<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

R\u00e9dig\u00e9 par Lee McLean Je me souviens de ma premi\u00e8re demande d\u00e9pos\u00e9e timidement en 2020 pour obtenir une bourse de Cr\u00e9ation aupr\u00e8s d’artsnb. J’ai suivi attentivement les lignes directrices, en m’interrogeant sur la description du projet et sur les images que j’avais s\u00e9lectionn\u00e9es. Alors que je participais au programme Advanced Studio Practice [pratique avanc\u00e9e en<\/p>\n","protected":false},"author":7,"featured_media":16191,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[12,87],"tags":[],"class_list":["post-16219","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-en-vedette","category-blogue"],"acf":[],"yoast_head":"\nCroire en une id\u00e9e et faire preuve de courage - ArtsNB<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/artsnb.ca\/web\/2024\/01\/croire-en-une-idee-et-faire-preuve-de-courage\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Croire en une id\u00e9e et faire preuve de courage - ArtsNB\" \/>\n<meta property=\"og:description\" content=\"R\u00e9dig\u00e9 par Lee McLean Je me souviens de ma premi\u00e8re demande d\u00e9pos\u00e9e timidement en 2020 pour obtenir une bourse de Cr\u00e9ation aupr\u00e8s d’artsnb. 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