{"id":3625,"date":"2014-11-05T00:00:00","date_gmt":"2014-11-05T00:00:00","guid":{"rendered":"https:\/\/staging-artsnb.weavercrawford.com\/partie-2-le-processus-de-jury\/"},"modified":"2019-11-07T00:54:25","modified_gmt":"2019-11-07T00:54:25","slug":"partie-2-le-processus-de-jury","status":"publish","type":"post","link":"https:\/\/artsnb.ca\/web\/2014\/11\/partie-2-le-processus-de-jury\/?lang=fr","title":{"rendered":"Partie 2 : le processus de jury"},"content":{"rendered":"

Partie\u00a02\u00a0: le <\/b>processus<\/b> de jury<\/b><\/h3>\n

Lever le rideau <\/b><\/h3>\n

Vanessa Moeller, directrice adjointe<\/i><\/p>\n

Dans mon dernier article de blogue<\/a>, j’ai soulign\u00e9 l’\u00e9quilibre d\u00e9licat dans le processus de s\u00e9lection de jurys. Nous avons donc la liste des jur\u00e9s<\/a>, et maintenant? Qu’est-ce qui se passe derri\u00e8re le rideau myst\u00e9rieux qui est le jury? Eh bien, nous allons jeter un coup d’\u0153il\u00a0:<\/p>\n

\"photocopie\"<\/a>
Joss qui fait des photocopies des demandes<\/figcaption><\/figure>\n

Apr\u00e8s la liste des jur\u00e9s est compl\u00e9t\u00e9e, Joss et moi commen\u00e7ons le travail de photocopie et la cr\u00e9ation de paquets \u00e0 envoyer aux jur\u00e9s. Ces paquets contiennent des copies des demandes, des directives au jury, les demandes de remboursement, un formulaire de conflit d’int\u00e9r\u00eats, des informations sur le programme<\/a>, et toutes autres informations que nous devons envoyer au jur\u00e9 (information sur l’h\u00f4tel, directions, etc.). Les jur\u00e9s devront examiner les fichiers \u00e0 l’aide d’une grille de notation qui est attach\u00e9e \u00e0 chaque demande et marquer le fichier sur 10. Puisque notre mandat est de financer l’excellence<\/a>, une marque de 8\/10 est requise pour un candidat d\u2019\u00eatre en consid\u00e9ration pour du financement.<\/p>\n

Le jour du jury, les jur\u00e9s arrivent soit en personne ou par t\u00e9l\u00e9phone pour les jurys par t\u00e9l\u00e9conf\u00e9rences. Le r\u00f4le de l’agent de programme au d\u00e9but de ces rencontres est de d\u00e9noncer les directives au jury, qui est une fa\u00e7on \u00e9l\u00e9gante de dire que le jury est rappel\u00e9 ce qu’ils sont l\u00e0 pour faire et ce qu’on attend d’eux. Nous r\u00e9visons les crit\u00e8res du programme, la fiche d’\u00e9valuation, et nous discutons si quelqu’un a un conflit d’int\u00e9r\u00eats. S\u2019il y a quelqu’un dans la salle du jury, le personnel d\u2019artsnb<\/b> inclus, qui a un conflit d’int\u00e9r\u00eats avec l’un des fichiers, cette personne est demander de quitter la salle des jur\u00e9s pour toutes les d\u00e9lib\u00e9rations de ce fichier pour que tous les autres jur\u00e9s puissent s\u2019exprimer librement et ne peut influencer un jury sur la base de pr\u00e9jug\u00e9s personnels. Cela dit, il serait absolument impossible de mettre un jury ensemble au Nouveau-Brunswick o\u00f9 il n’y a pas un jur\u00e9 qui ne sait pas un ou plusieurs candidats. Voil\u00e0 pourquoi il est important de discuter du protocole de conflit d’int\u00e9r\u00eats du d\u00e9but et ouvertement.<\/p>\n

Ensuite, nous commen\u00e7ons les discussions des demandes. Chaque jur\u00e9 a l’occasion de donner leur opinion et d\u2019exprimer les forces et les faiblesses de la demande. Les agents de programmes enregistrent ces notes pour qu\u2019on puisse donner les commentaires aux candidats s\u2019ils appellent. Nous avons introduit une nouvelle feuille de pointage au jury de cr\u00e9ation en avril 2014 et cela a aid\u00e9 les jurys d’\u00eatre tr\u00e8s pr\u00e9cis sur les forces et les faiblesses d’une demande, et il nous permet, comme agents de programmes, de donner des commentaires plus clairs et plus d\u00e9taill\u00e9s \u00e0 nos clients. Comme je l’ai d\u00e9j\u00e0 indiqu\u00e9 dans mon poste sur le r\u00f4le de l’agent de programmes<\/a>, nous sommes Suisses \u2014 neutres et d\u00e9mocratiques dans le jury, agissant comme facilitateurs du processus d’\u00e9valuation par les pairs. Nous n\u2019avons pas de voix de dire \u00e0 qui re\u00e7oit du financement; il est compl\u00e8tement \u00e0 la discr\u00e9tion du jury d’\u00e9valuation par les pairs.<\/p>\n

Lorsque tous les fichiers ont \u00e9t\u00e9 discut\u00e9s et marqu\u00e9s, l’agent de programmes fait une liste classant les marques du plus \u00e9lev\u00e9 au plus bas. Le budget du programme est r\u00e9v\u00e9l\u00e9 \u00e0 ce stade du processus et nous proc\u00e9dons du haut de la liste jusqu’\u00e0 ce que tout l’argent soit d\u00e9pens\u00e9 (souvent), ou nous manquons de candidats qui ont obtenu une marque de 8\/10 (rare). Il y a habituellement un peu de discussion \u00e0 ce stade, mais tr\u00e8s souvent le jury est heureux de voir d\u2019excellents projets d’art, vraiment int\u00e9ressants et innovants, obtenir du financement.<\/p>\n

\u00c0 ce stade, tout le monde est g\u00e9n\u00e9ralement tr\u00e8s fatigu\u00e9 et les jur\u00e9s partent \u00e0 la maison. Pour Joss et moi, nous nous commen\u00e7ons sur les prochaines \u00e9tapes du processus. D’abord, nous cr\u00e9ons une liste de destinataires et jur\u00e9s, qui sont envoy\u00e9s au conseil<\/a> pour approbation. Apr\u00e8s cette approbation, nous commen\u00e7ons \u00e0 \u00e9mettre des demandes de ch\u00e8ques et, lentement mais s\u00fbrement, les lettres avec les r\u00e9sultats des comp\u00e9titions sont envoy\u00e9es.<\/p>\n","protected":false},"excerpt":{"rendered":"

Partie\u00a02\u00a0: le processus de jury Lever le rideau Vanessa Moeller, directrice adjointe Dans mon dernier article de blogue, j’ai soulign\u00e9 l’\u00e9quilibre d\u00e9licat dans le processus de s\u00e9lection de jurys. Nous avons donc la liste des jur\u00e9s, et maintenant? Qu’est-ce qui se passe derri\u00e8re le rideau myst\u00e9rieux qui est le jury? Eh bien, nous allons jeter<\/p>\n","protected":false},"author":6,"featured_media":2886,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[87],"tags":[],"class_list":["post-3625","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-blogue"],"acf":[],"yoast_head":"\nPartie 2 : le processus de jury - ArtsNB<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/artsnb.ca\/web\/2014\/11\/partie-2-le-processus-de-jury\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Partie 2 : le processus de jury - ArtsNB\" \/>\n<meta property=\"og:description\" content=\"Partie\u00a02\u00a0: le processus de jury Lever le rideau Vanessa Moeller, directrice adjointe Dans mon dernier article de blogue, j’ai soulign\u00e9 l’\u00e9quilibre d\u00e9licat dans le processus de s\u00e9lection de jurys. Nous avons donc la liste des jur\u00e9s, et maintenant? Qu’est-ce qui se passe derri\u00e8re le rideau myst\u00e9rieux qui est le jury? 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