{"id":4952,"date":"2019-12-12T15:05:10","date_gmt":"2019-12-12T15:05:10","guid":{"rendered":"https:\/\/artsnb.ca\/web\/?p=4952"},"modified":"2020-05-14T12:11:37","modified_gmt":"2020-05-14T12:11:37","slug":"julie-forgues-programmes-de-residence-dartiste","status":"publish","type":"post","link":"https:\/\/artsnb.ca\/web\/2019\/12\/julie-forgues-programmes-de-residence-dartiste\/?lang=fr","title":{"rendered":"Julie Forgues – Programmes de r\u00e9sidence d’artiste"},"content":{"rendered":"\n

Au cours de la derni\u00e8re d\u00e9cennie, mon travail photographique a explor\u00e9 comment les entre-deux changent de sites, entre des espaces et des lieux, entre ce qui \u00e9tait et ce qui sera. Je vois ces entre-deux o\u00f9 le processus est en cours d’\u00e9tats ind\u00e9termin\u00e9s, mais sont tout aussi importants pour nos perceptions de notre environnement. Par cons\u00e9quent, ces points m\u00e9dians sous-tendent et int\u00e8grent nos conceptions et nos compr\u00e9hensions de ce que sont l\u2019espace et le lieu. Sans ces trois concepts, comment pouvons-nous comprendre comment nous int\u00e9grons, reconnaissons, appr\u00e9cions et transformons notre milieu.

Mon travail rend donc visible ce processus de fluctuation. <\/p>\n\n\n\n

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Gr\u00e2ce au soutien d\u2019artsnb, j\u2019ai eu l\u2019occasion d\u2019explorer les ressemblances et diff\u00e9rences entre les lieux c\u00f4tiers et les terres int\u00e9rieures<\/strong> en Irlande, dans le cadre de deux programmes de r\u00e9sidence d\u2019artiste : Shankill Castle<\/strong> (1er<\/sup> juillet au 19 juillet 2019) et Burren College of Art<\/strong> (22 juillet au 16 ao\u00fbt 2019) pour approfondir mes recherches photographiques sur l\u2019espace, le lieu et les entre-deux<\/strong>. Pour ces deux r\u00e9sidences, je me suis concentr\u00e9 sur les liens que je pouvais trouver entre l\u2019int\u00e9rieur des terres (le Shankill Castle et les environs<\/strong>) et les sites c\u00f4tiers (Burren College of Art et ses environ<\/strong>s) dans la mani\u00e8re dont le paysage (\u00e0 la fois rural) est form\u00e9 et d\u00e9velopp\u00e9. <\/p>\n\n\n\n

J\u2019ai d\u2019abord d\u00e9couvert leur environnement en conduisant, en regardant, en explorant et en incarnant. C\u2019est la premi\u00e8re fois que j\u2019ai le privil\u00e8ge d\u2019avoir un v\u00e9hicule \u00e0 port\u00e9e de main lors d\u2019une r\u00e9sidence. Cela s\u2019est av\u00e9r\u00e9 tout \u00e0 fait le \u00ab must \u00bb pour pouvoir capturer des images dans des zones quelque peu isol\u00e9es. De plus, comme les routes sont tr\u00e8s \u00e9troites en Irlande, il aurait \u00e9t\u00e9 tr\u00e8s difficile de se d\u00e9placer \u00e0 pied. Dans l\u2019ensemble, la location d\u2019une voiture (comme sugg\u00e9r\u00e9 par la r\u00e9sidence de Shankill Castle) a \u00e9t\u00e9 la meilleure d\u00e9cision que j\u2019ai prise.<\/p>\n\n\n\n

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Photo<\/strong> : Coastal liminal responses<\/em>, Burren College of Art, [#1 \u2013 ensemble], six impressions 18 x 13 cm gelatin en argent avec crayons \u00e0 graphite solubles et aquarelle. <\/p>\n\n\n\n

En ce qui concerne les images elles-m\u00eames, j\u2019avais pr\u00e9vu de faire \u00e0 la fois de la g\u00e9latine argentique et du num\u00e9rique, mais comme je savais que je pouvais utiliser une chambre noire au Burren College of Art<\/strong>, j\u2019ai \u00e0 peine pris du num\u00e9rique. Comme la premi\u00e8re fois que j\u2019ai une chambre noire sous la main dans une r\u00e9sidence, c\u2019\u00e9tait tout simplement g\u00e9nial, car je pr\u00e9f\u00e8re, avant tout, la g\u00e9latine d\u2019argent, donc, je n\u2019ai pas trouv\u00e9 la n\u00e9cessit\u00e9 d\u2019utiliser m\u00eame le format num\u00e9rique. J\u2019\u00e9tais tr\u00e8s heureuse de poursuivre mon projet avec ma m\u00e9thode de travail pr\u00e9f\u00e9r\u00e9e.  <\/p>\n\n\n\n

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Photo:<\/strong> Inland liminal responses<\/em>, r\u00e9sidence \u00e0 Shankill Castle, [#1 \u2013 ensemble], six impressions 18 x 13 cm gelatin en argent avec crayons \u00e0 graphite solubles et aquarelle. <\/p>\n\n\n\n

J\u2019ai cherch\u00e9 les vues sur le format moyen de la g\u00e9latine d\u2019argent autour du Shankill Castle<\/strong> et j\u2019ai fait de m\u00eame lorsque je suis arriv\u00e9 au programme de r\u00e9sidence du Burren College of Art<\/strong>. La deuxi\u00e8me semaine j\u2019\u00e9tais au Burren, j\u2019ai d\u00e9velopp\u00e9 mes n\u00e9gatifs (des deux r\u00e9sidences) et la troisi\u00e8me semaine, j\u2019ai imprim\u00e9 les images finales (une soixantaine de tirages argentiques 18 X 13 cm sur g\u00e9latine). Le plan \u00e9tait de \u00ab travailler \u00bb sur la surface des impressions \u00e0 la g\u00e9latine, une m\u00e9thode que j\u2019avais d\u00e9j\u00e0 utilis\u00e9e avec la peinture \u00e0 l\u2019huile, mais cette fois, je voulais essayer diff\u00e9rents mat\u00e9riaux qui adh\u00e9reraient \u00e0 la surface mate des impressions. Par cons\u00e9quent, au cours des deux derniers jours de la r\u00e9sidence et du temps en Irlande, j\u2019ai test\u00e9 diff\u00e9rents supports solubles sur les tirages eux-m\u00eames pour voir comment il r\u00e9agirait et quel type de visuel r\u00e9sulterait de ces applications physiques sur le papier photographique. J\u2019ai fait de nombreux tests : certains que j\u2019ai trouv\u00e9 int\u00e9ressants, mais d\u2019autres, je dois repenser. Alors que je recherchais ces nouveaux visuels et que je regardais les tirages qui n\u2019avaient pas \u00e9t\u00e9 retravaill\u00e9s, j\u2019ai d\u00fb m\u2019arr\u00eater, car je n\u2019\u00e9tais pas satisfaite des r\u00e9sultats. Tel est le processus artistique ! Je savais que davantage de recherche sur les lieux eux-m\u00eames devait \u00eatre men\u00e9e avant de poursuivre ces manipulations sur les surfaces des impressions. Depuis que j\u2019\u00e9tais dans les derniers jours de la r\u00e9sidence, j\u2019ai quitt\u00e9 le travail en sachant que les travaux pas encore termin\u00e9s sont une nouvelle voie pour moi, mais doivent approfondir la recherche visuelle et th\u00e9orique du \u00ab pourquoi \u00bb ces marquages sur le papier photographique sont importants pour le travail. <\/p>\n\n\n\n

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Vivant \u00e0 Moncton, au Nouveau-Brunswick, Julie Forgues a obtenu son BFA \u00e0 l\u2019Universit\u00e9 de Moncton 1995 et son MFA Studio- photographie \u00e0 l\u2019Universit\u00e9 Concordia en 1999. Elle est membre du corps professoral du D\u00e9partement des arts visuels de l\u2019Universit\u00e9 de Moncton depuis 2000 comme professeur de photographie et chef de d\u00e9partement depuis juillet 2016. <\/p>\n<\/div><\/div>\n\n\n\n

Elle a montr\u00e9 en solo en 2014 \u00e0 la Galerie Colline \u00e0 Edmundston, N.-B. Son travail a \u00e9t\u00e9 expos\u00e9 dans des expositions de groupe comme \u00e0 la Galerie d\u2019art Louise-et-Reuben-Cohen \u00e0 Moncton et \u00e0 la Galerie Beaverbrook \u00e0 Fredericton. Au fil des ans, elle a montr\u00e9 \u00e9galement du travail \u00e0 l\u2019\u00e9chelle nationale en Ontario, au Qu\u00e9bec, au N.-B. et \u00e0 l\u2019\u00e9chelle internationale en Chine et au Japon. Elle a \u00e9galement particip\u00e9 \u00e0 de nombreux programmes de r\u00e9sidence d\u2019artistes en Chine, en Irlande, au Japon et dans l\u2019Arctique. Elle a \u00e9t\u00e9 artiste r\u00e9sidente \u00e0 la c\u00e9l\u00e8bre Swatch Art Peace Hotel \u00e0 Shanghai d\u2019ao\u00fbt 2017 \u00e0 f\u00e9vrier 2018. Elle consid\u00e8re son travail comme un visuel entre un espace et un lieu. <\/p>\n\n\n\n

L’article a \u00e9t\u00e9 traduite de l’originale<\/a> en anglais. <\/p>\n\n\n\n

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Vous avez re\u00e7u une subvention d’<\/em>artsnb<\/em><\/strong> ? Vous travaillez pr\u00e9sentement sur un projet gr\u00e2ce, en partie, des fonds d’<\/em>artsnb<\/em><\/strong> ? Vous voulez \u00e9crire un article pour le blogue d’Artistes en vedette ? Contactez notre Agente des communications<\/a> d\u00e8s maintenant !<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

Vivant \u00e0 Moncton, au Nouveau-Brunswick, Julie Forgues a obtenu son BFA \u00e0 l\u2019Universit\u00e9 de Moncton 1995 et son MFA Studio- photographie \u00e0 l\u2019Universit\u00e9 Concordia en 1999. Elle est membre du corps professoral du D\u00e9partement des arts visuels de l\u2019Universit\u00e9 de Moncton depuis 2000 comme professeur de photographie et chef de d\u00e9partement depuis juillet 2016. <\/p>\n","protected":false},"author":6,"featured_media":4931,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[87],"tags":[85,76,21,56,103,102],"class_list":["post-4952","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-blogue","tag-artistes","tag-arts-2","tag-artsnb","tag-nouveau-brunswick","tag-residence","tag-residences"],"acf":[],"yoast_head":"\nJulie Forgues - Programmes de r\u00e9sidence d'artiste - ArtsNB<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/artsnb.ca\/web\/2019\/12\/julie-forgues-programmes-de-residence-dartiste\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Julie Forgues - Programmes de r\u00e9sidence d'artiste - ArtsNB\" \/>\n<meta property=\"og:description\" content=\"Vivant \u00e0 Moncton, au Nouveau-Brunswick, Julie Forgues a obtenu son BFA \u00e0 l\u2019Universit\u00e9 de Moncton 1995 et son MFA Studio- photographie \u00e0 l\u2019Universit\u00e9 Concordia en 1999. 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