{"id":5425,"date":"2020-01-29T10:26:08","date_gmt":"2020-01-29T10:26:08","guid":{"rendered":"https:\/\/artsnb.ca\/web\/?p=5425"},"modified":"2020-05-14T12:11:28","modified_gmt":"2020-05-14T12:11:28","slug":"andre-cormier-conversations2019","status":"publish","type":"post","link":"https:\/\/artsnb.ca\/web\/2020\/01\/andre-cormier-conversations2019\/?lang=fr","title":{"rendered":"Andr\u00e9 Cormier – Conversations2019"},"content":{"rendered":"\n

J’ai eu l’impression que quelque chose de sp\u00e9cial s’\u00e9tait produit lorsque les 6 derni\u00e8res lignes Elle<\/em> de po\u00e9sie ont \u00e9t\u00e9 prononc\u00e9es en silence luxurieuse depuis le loft de l’\u00c9glise historique de Barachois, alors que les derni\u00e8res notes de l’ensemble r\u00e9sonnaient d\u00e9licatement dans l’esprit. Ainsi s’est termin\u00e9 Conversations2019. Les 993 lignes pr\u00e9c\u00e9dentes ont \u00e9t\u00e9 chant\u00e9es par Elle<\/em> et prononc\u00e9 par Lui<\/em>, r\u00e9parties en 10 volumes de 100 lignes, chacune compl\u00e9t\u00e9e par un ensemble musical diff\u00e9rent. Les volumes variaient entre 1 et 2 heures de dur\u00e9e, tous les dix volumes ont eu lieu, dans l’ordre, sur 5 jours avec des performances de 2 volumes par jour.<\/p>\n\n\n\n

Conversations2019<\/em> a eu lieu du 11 au 16 ao\u00fbt 2019. C’\u00e9tait l’aboutissement de mon projet de dix ans de mettre en sc\u00e8ne Herm\u00e9n\u00e9gilde Chiasson 1999 GG po\u00e8me gagnant, Conversations. C’\u00e9tait une t\u00e2che \u00e9norme qui a commenc\u00e9 assez innocemment en 2009. La soprano canadienne Andrea Young m’a simplement demand\u00e9 de lui \u00e9crire une pi\u00e8ce pour voix au piano. Pour cela, j’ai utilis\u00e9 les 100 premi\u00e8res lignes du po\u00e8me \u00e9pique d’Herm\u00e9n\u00e9gilde. Elle a cr\u00e9\u00e9 la nouvelle pi\u00e8ce \u00e0 Vancouver en 2010. Cette premi\u00e8re composition a mis en mouvement le voyage cr\u00e9atif \u00e0 grande \u00e9chelle qui devait finalement mettre en musique les 999 lignes enti\u00e8res du po\u00e8me. Initialement, l’id\u00e9e ne tourbillonnait \u00e0 l’int\u00e9rieur de ma t\u00eate comme une pens\u00e9e, ou une possibilit\u00e9, mais finalement il ne manifeste sur le papier. En ao\u00fbt dernier, dix ans plus tard, les \u00ab Conversations \u00bb sont n\u00e9es de ce papier sous la forme de vibrations sonores r\u00e9elles faites par un assemblage d’humbles musiciens talentueux venus du Royaume-Uni, de Montr\u00e9al, de New York, de Providence et de Los Angeles. Pendant les cinq jours suivants, les musiciens ont habilement navigu\u00e9 \u00e0 travers la partition en 10 volumes de \u00ab Conversations \u00bb, infusant de son et d’ambiance l’air oc\u00e9anique d’ao\u00fbt de Grand Barachois, au Nouveau-Brunswick. \u00c0 mon avis, le meilleur endroit possible pour ramener le projet \u00e0 terre.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Apr\u00e8s la fin du premier volume compl\u00e9t\u00e9 en 2009, j’ai re\u00e7u pendant un an l’appui du Conseil des Arts du Canada<\/a> pour poursuivre le projet. De 2012 \u00e0 2013, j’ai fix\u00e9 600 lignes de plus. \u00c0 ce stade, les volumes 1-7, et 10 \u00e9taient complets, h\u00e9las, j’avais encore 200 lignes qui me restait, mais avait besoin de passer \u00e0 d’autres projets. Dans les ann\u00e9es qui ont suivi, les premi\u00e8res des volumes 1, 3, 5 de “Conversations” ont \u00e9t\u00e9 pr\u00e9sent\u00e9s au Canada, aux \u00c9tats-Unis et en Allemagne, avec Andrea toujours la chanteuse. Depuis environ 2015, elle et moi avions band\u00e9 l’id\u00e9e d’effectuer tout le cycle, peut-\u00eatre m\u00eame \u00e0 Grand Barachois \u00e0 l’ancienne \u00e9glise, alors nous avons cherch\u00e9 et obtenu des fonds pour exactement cela. Un d\u00e9tail : deux volumes \u00e9taient en suspens.<\/p>\n\n\n\n

En 2018, j’ai re\u00e7u un g\u00e9n\u00e9reux soutien d’artsnb<\/strong> pour composer ces deux volumes restants, qui, \u00e0 leur tour, ont compl\u00e9t\u00e9 le cycle. Sans leur soutien, cela aurait \u00e9t\u00e9 presque impossible d’avoir ces pi\u00e8ces manquantes lourds pr\u00eat pour ao\u00fbt. Ce qui m’a rendu ce projet int\u00e9ressant, mais aussi difficile, c’est que j’ai d\u00fb revenir \u00e0 une composition que je n’avais pas touch\u00e9e depuis 5 ans. J’ai d\u00fb rentrer, pour ainsi dire, dans cet \u00e9tat d’esprit. Vous voyez, mon traitement de la conversation (le po\u00e8me) est une confluence inhabituelle de la musique et des mots. Bien que la partie Elle<\/em> est chant\u00e9 sur la musique (la partie Lui<\/em> est plut\u00f4t parl\u00e9), je le consid\u00e8re plut\u00f4t comme une \u00ab articulation extravertie \u00bb du po\u00e8me \u2013 enti\u00e8rement musicale, mais aussi conserver la forme du po\u00e8me. Ce cadre donne vie \u00e0 une \u0153uvre litt\u00e9raire de taille, faisant \u00e9cho au penchant de M. Chiasson pour la forme longue, chaque volume d’une dur\u00e9e d’au moins une heure. Le caract\u00e8re de la musique refl\u00e8te la pr\u00e9venance et la gravit\u00e9 du po\u00e8me. Dans les techniques d’\u00e9criture, Chiasson et moi utilisons des contraintes particuli\u00e8rement travaill\u00e9es pour guider le mouvement cr\u00e9atif et g\u00e9n\u00e9rer un monde esth\u00e9tique unifi\u00e9. En composant ces nouveaux volumes, j’ai d\u00fb revenir \u00e0 ma pens\u00e9e compositionnelle originale de 2012-2013, mais avec cinq ans de croissance artistique et d’exp\u00e9riences.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Comme je me suis install\u00e9 pour faire mes affaires inachev\u00e9es, que la croissance et l’exp\u00e9rience a \u00e9t\u00e9 \u00e0 la fois et la b\u00e9n\u00e9diction et une mal\u00e9diction. Une b\u00e9n\u00e9diction parce qu’au cours de ces cinq ann\u00e9es, j’ai compos\u00e9 et cr\u00e9\u00e9 de nombreuses \u0153uvres nouvelles, dont un certain nombre ont \u00e9t\u00e9 soutenus par artsnb. Dans cette pratique continue, j’ai affin\u00e9 et perfectionn\u00e9 mes techniques, alors quand est venu le temps de composer les volumes restants, j’ai \u00e9t\u00e9 en mesure de comprendre ma t\u00e2che et avait les strat\u00e9gies l’accomplir. Cependant, j’ai d\u00fb naturellement composer de la musique qui suivait les voies esth\u00e9tiques des volumes qui sont venus avant dans une certaine mesure, mais j’ai aussi d\u00e9sesp\u00e9r\u00e9ment voulu que la croissance soit \u00e9vidente dans ces nouveaux volumes. Le soutien d’artsnb<\/strong> m’a donn\u00e9 la libert\u00e9 d’aborder cela comme n\u00e9cessaire; J’ai pu prendre le temps de contempler, d’\u00e9tudier et de penser de fa\u00e7on cr\u00e9ative \u00e0 la meilleure approche pour arriver l\u00e0 o\u00f9 j’ai besoin d’aller faire le travail, et pour cela je suis reconnaissant.<\/p>\n\n\n\n

L’article a \u00e9t\u00e9 traduite de l’originale en anglais<\/a>. <\/p>\n\n\n\n

Vous avez re\u00e7u une subvention d\u2019<\/em>artsnb<\/em><\/strong> ? Vous travaillez pr\u00e9sentement sur un projet gr\u00e2ce, en partie, des fonds d\u2019<\/em>artsnb<\/em><\/strong> ? Vous voulez \u00e9crire un article pour le blogue d\u2019Artistes en vedette ? Contactez notre Agente des communications<\/a> d\u00e8s maintenant !<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

J’ai eu l’impression que quelque chose de sp\u00e9cial s’\u00e9tait produit lorsque les 6 derni\u00e8res lignes Elle de po\u00e9sie ont \u00e9t\u00e9 prononc\u00e9es en silence luxurieuse depuis le loft de l’\u00c9glise historique de Barachois, alors que les derni\u00e8res notes de l’ensemble r\u00e9sonnaient d\u00e9licatement dans l’esprit. Ainsi s’est termin\u00e9 Conversations2019.<\/p>\n","protected":false},"author":6,"featured_media":5434,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[12,87],"tags":[21,113,56,112],"class_list":["post-5425","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-en-vedette","category-blogue","tag-artsnb","tag-chanter","tag-nouveau-brunswick","tag-poeme"],"acf":[],"yoast_head":"\nAndr\u00e9 Cormier - Conversations2019 - ArtsNB<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/artsnb.ca\/web\/2020\/01\/andre-cormier-conversations2019\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Andr\u00e9 Cormier - Conversations2019 - ArtsNB\" \/>\n<meta property=\"og:description\" content=\"J'ai eu l'impression que quelque chose de sp\u00e9cial s'\u00e9tait produit lorsque les 6 derni\u00e8res lignes Elle de po\u00e9sie ont \u00e9t\u00e9 prononc\u00e9es en silence luxurieuse depuis le loft de l'\u00c9glise historique de Barachois, alors que les derni\u00e8res notes de l'ensemble r\u00e9sonnaient d\u00e9licatement dans l'esprit. 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