{"id":7037,"date":"2020-11-10T19:39:13","date_gmt":"2020-11-10T19:39:13","guid":{"rendered":"https:\/\/artsnb.ca\/web\/?p=7037"},"modified":"2021-02-16T14:28:35","modified_gmt":"2021-02-16T14:28:35","slug":"artiste-en-vedette-mathieu-laprise","status":"publish","type":"post","link":"https:\/\/artsnb.ca\/web\/2020\/11\/artiste-en-vedette-mathieu-laprise\/?lang=fr","title":{"rendered":"Utukku au Rio Webfest"},"content":{"rendered":"\n

Artiste en vedette – Mathieu Laprise<\/h3>\n\n\n\n

Lors de mon passage \u00e0 L\u2019inis (l\u2019institut national de l\u2019image et du son) j\u2019ai eu la chance de r\u00e9aliser une webs\u00e9rie de 3×5 minutes nomm\u00e9 \u00ab Utukku \u00bb (sc\u00e9nario d\u2019Edith Kabuya, production Fanny Bissonnette). Cette com\u00e9die d\u2019horreur raconte l\u2019histoire de Vielda, une jeune fille qui d\u00e9cide de se venger de sa pire ennemie. Elle ne r\u00e9alise pas les cons\u00e9quences fatidiques qu\u2019auront ses gestes\u2026 Au menu : intimidation, chamanisme, poup\u00e9e d\u00e9moniaque et vibe des ann\u00e9es 90.<\/p>\n\n\n\n

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(Cliquez sur l’image pour visionner!)<\/span><\/em><\/figcaption><\/figure><\/div>\n\n\n\n

Notre projet s\u2019est d\u00e9marqu\u00e9\u0301 tant au Canada qu\u2019\u00e0 l\u2019international avec plusieurs s\u00e9lections, de Toronto \u00e0 Votkinsk (Russie), en passant par Bilbao en Espagne. Utukku s\u2019est m\u00e9rit\u00e9 le prix \u00ab Bronze Award \u00bb et \u00ab Student Award \u00bb au DC Web Fest (Washington, D.C.) ainsi que le prix pour  \u00ab Best Horror \u00bb au Hollyweb Festival (Hollywood, CA).<\/p>\n\n\n\n

Quand j\u2019ai pris connaissance de notre s\u00e9lection au Rio WebFest, au Br\u00e9sil, j\u2019ai instinctivement d\u00e9cid\u00e9 de partir pour Rio de Janeiro. \u00c0 ce moment, je terminais une escale d\u2019un mois en Alberta, dans le cadre de mes fonctions avec le Wapikoni mobile. Cet organisme offre des ateliers de cin\u00e9ma \u00e0 des communaut\u00e9s autochtones. \u00c9tant donn\u00e9 que mon contrat avec Wapikoni se terminait bient\u00f4t, je disposais d’un peu de temps libre. De plus, la date limite pour les subventions de d\u00e9veloppement de carri\u00e8re \u00e9taient encore atteignables. Peut-\u00eatre que l\u2019id\u00e9e de s\u2019envoler au Br\u00e9sil n\u2019\u00e9tait pas si folle que \u00e7a, apr\u00e8s tout. Heureusement, artsnb \u00e9tait l\u00e0 pour me soutenir dans ma d\u00e9marche. Une semaine apr\u00e8s mon contrat, je m\u2019envolais d\u00e9j\u00e0 pour le Br\u00e9sil. \u00c7a m\u2019a laiss\u00e9 tr\u00e8s peu de temps pour tout organiser, mais j\u2019ai tout de m\u00eame d\u00e9cid\u00e9 d\u2019ajouter, \u00e0 mes frais, quelques semaines d\u2019extra \u00e0 mon voyage, question de voir du pays. Il faut comprendre que pour moi, l\u2019id\u00e9e de voir le Br\u00e9sil ne datait pas d\u2019hier\u2026<\/p>\n\n\n\n

Le Br\u00e9sil, en dehors de ses belles plages, c\u2019est de l\u2019art, partout, tout le temps. Que ce soit dans la musique omnipr\u00e9sente dans les rues ou dans les murales tatou\u00e9es sur ses murs<\/em>…<\/p><\/blockquote>\n\n\n\n

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Le Rio Webfest, \u00e0 Barra Tijuca, au Br\u00e9sil.<\/span><\/em><\/figcaption><\/figure><\/div>\n\n\n\n

Le Rio Webfest prenait place \u00e0 Barra Tijuca, un quartier qui longe la mer, \u00e0 l\u2019ouest de Rio de Janeiro. J\u2019ai log\u00e9 chez une gentille femme nomm\u00e9e Monica et d\u00e8s nos premiers \u00e9changes sur l’application Airbnb, j\u2019ai d\u00fb d\u00e9poussi\u00e9rer le peu de portugais que je connaissais gr\u00e2ce \u00e0 Duolingo et la premi\u00e8re saison de \u201c3%\u201d, sur Netflix. \u00c0 quelques minutes de marche de chez elle, j\u2019avais acc\u00e8s \u00e0 la “Cidade Das Artes\u201d (La cit\u00e9 des arts), le point n\u00e9vralgique du Rio Webfest. Cet \u00e9difice porte bien son nom, avec sa structure de b\u00e9ton futuriste et ses formes douces et sternes \u00e0 la fois. La projection de ma webs\u00e9rie \u00e9tait la premi\u00e8re journ\u00e9e. Ensuite, une panoplie d’oeuvres m’ont rempli d\u2019inspiration tout au long des cinq prochaines journ\u00e9es du festival. J\u2019ai eu la chance de rencontrer des cin\u00e9astes d\u2019un peu partout sur la plan\u00e8te et d’\u00e9changer avec eux sur leur vision artistique, tout en sirotant des caipirinhas, le cocktail par excellence au Br\u00e9sil. Cacha\u00e7a, lime, sucre et boom! J\u2019ai des nouveaux amis et potentiellement de futurs collaborateurs.<\/p>\n\n\n\n

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La “Cidade Das Artes” (la Cit\u00e9 des arts), le centre du Rio Webfest.<\/span><\/em><\/figcaption><\/figure>\n\n\n\n

La soir\u00e9e de la remise des prix, j\u2019\u00e9tais assis en premi\u00e8re rang\u00e9e avec les autres cin\u00e9astes \u00e9trangers. Utukku s\u2019est vue nomin\u00e9e dans quatre cat\u00e9gories, soit Meilleure webs\u00e9rie internationale, Meilleur montage, Meilleure performance f\u00e9minine action\/fiction\/ thriller\/horreur (L\u00e9anne D\u00e9silets) et Meilleure r\u00e9alisation action\/fiction\/thriller\/horreur. M\u00eame si je ne suis pas reparti avec un troph\u00e9e, l\u2019exp\u00e9rience en aura valu la peine et de toute mani\u00e8re, je me serais mal vu continuer mon voyage avec quatre troph\u00e9es dans mon sac \u00e0 dos! Parce que oui, mon exp\u00e9rience n\u2019\u00e9tait pas termin\u00e9e.<\/p>\n\n\n\n

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Partout o\u00f9 on regarde, des mouvements comme \u201cEle N\u00e3o\u201d (Lui, Non), cherchent \u00e0 exposer les actions de l\u2019extr\u00eame droite, dirig\u00e9e par Jair Bolsonaro, pr\u00e9sident du Br\u00e9sil. Cela dit, c\u2019est par sa r\u00e9silience que le Br\u00e9sil se d\u00e9marque. C’est une perle rare pour sa culture, son ambiance, sa population ouverte et chaleureuse mais surtout, sa fibre artistique. C\u2019est une source intarissable d\u2019inspiration pour n\u2019importe quel artiste.<\/span><\/em><\/figcaption><\/figure><\/div>\n\n\n\n

Le Br\u00e9sil, en dehors de ses belles plages, c\u2019est de l\u2019art, partout, tout le temps. Que ce soit dans la musique omnipr\u00e9sente dans les rues ou dans les murales tatou\u00e9es sur ses murs, le Br\u00e9sil a su me charmer. Mais comme toute histoire d\u2019amour, on finit par voir de petites failles qui rendent l\u2019exp\u00e9rience plus vraie, plus personnelle. Si on sort un peu des r\u00e9seaux touristiques, on nous invite \u00e0 la vigilance. Par exemple, d\u00e8s ma premi\u00e8re soir\u00e9e \u00e0 S\u00e3o Paulo, j\u2019ai vu un homme prendre un chauffeur de taxi en otage \u00e0 bout de couteau. Durant mes 5 semaines de voyage, la majorit\u00e9 des Br\u00e9silien\/nes, m’ont admis que le pays \u00e9tait sensible au niveau politique. Partout o\u00f9 on regarde, des mouvements comme \u201cEle N\u00e3o\u201d (Lui, Non), cherchent \u00e0 exposer les actions de l\u2019extr\u00eame droite, dirig\u00e9e par Jair Bolsonaro, pr\u00e9sident du Br\u00e9sil. Cela dit, c\u2019est par sa r\u00e9silience que le Br\u00e9sil se d\u00e9marque. C’est une perle rare pour sa culture, son ambiance, sa population ouverte et chaleureuse mais surtout, sa fibre artistique. C\u2019est une source intarissable d\u2019inspiration pour n\u2019importe quel artiste. Je retournerai certainement un jour, peut-\u00eatre pour fouler, encore une fois, le sol de la Cidade Das Artes.<\/p>\n\n\n\n

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\n

Depuis son enfance, Mathieu Laprise gribouille des petits monstres dans ses cahiers de math\u00e9matique, il explore les for\u00eats du Nouveau-Brunswick et capture son r\u00e9el et son imaginaire dans de petites bo\u0131\u0302tes noires. C’est apr\u00e8s sa participation \u00e0 l’\u00e9mission \u00abLa Course \u00c9vasion autour du monde\u00bb qu’il d\u00e9cide de faire carri\u00e8re derri\u00e8re sa cam\u00e9ra. Gr\u00e2ce \u00e0 deux bourses accord\u00e9es par Unis TV, il approfondit ses comp\u00e9tences \u00e0 L\u2019inis. Sa passion pour l\u2018image l\u2019a amen\u00e9 \u00e0 travailler et voyager dans une trentaine de pays, notamment la Jordanie, le Mali et la Colombie. Son travail en t\u00e9l\u00e9vision a \u00e9t\u00e9 diffus\u00e9 sur plusieurs cha\u0131\u0302nes. Il s\u2019est \u00e9galement m\u00e9rit\u00e9 plusieurs prix pour des vid\u00e9oclips, des webs\u00e9ries et des courts-m\u00e9trages.<\/span><\/p>\n\n\n\n

INSTAGRAM : www.instagram.com\/click_gotyoursoul<\/span><\/p>\n\n\n\n

SITE WEB : matlaprise.myportfolio.com<\/span><\/p>\n\n\n\n

COMMANDITAIRES\/PROMOTEURS : L\u2019inis (L’Institut national de l’image et du son)<\/span><\/p>\n<\/div><\/div>\n\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

Artiste en vedette – Mathieu Laprise Lors de mon passage \u00e0 L\u2019inis (l\u2019institut national de l\u2019image et du son) j\u2019ai eu la chance de r\u00e9aliser une webs\u00e9rie de 3×5 minutes nomm\u00e9 \u00ab Utukku \u00bb (sc\u00e9nario d\u2019Edith Kabuya, production Fanny Bissonnette). Cette com\u00e9die d\u2019horreur raconte l\u2019histoire de Vielda, une jeune fille qui d\u00e9cide de se venger<\/p>\n","protected":false},"author":7,"featured_media":7020,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[12,87,2],"tags":[],"class_list":["post-7037","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-en-vedette","category-blogue","category-non-classifiee"],"acf":[],"yoast_head":"\nUtukku au Rio Webfest - ArtsNB<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/artsnb.ca\/web\/2020\/11\/artiste-en-vedette-mathieu-laprise\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Utukku au Rio Webfest - ArtsNB\" \/>\n<meta property=\"og:description\" content=\"Artiste en vedette – Mathieu Laprise Lors de mon passage \u00e0 L\u2019inis (l\u2019institut national de l\u2019image et du son) j\u2019ai eu la chance de r\u00e9aliser une webs\u00e9rie de 3×5 minutes nomm\u00e9 \u00ab Utukku \u00bb (sc\u00e9nario d\u2019Edith Kabuya, production Fanny Bissonnette). 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